Shoegaze Guide
Ever found yourself lost in dreamy melodies and lush soundscapes? Welcome to the world of shoegaze—a genre that feels like a sonic daydream, bittersweet and nostalgic. In the ever-evolving landscape of music, few genres evoke a sense of sonic exploration quite like shoegaze, where vocals melt into a sea of reverb and distortion, ready to serve your wildest dreams.
Originating in the late '80s, shoegaze is a unique subgenre of indie and alternative rock focused on creating an immersive soundscape. Its main features include obscured and dreamy vocals, guitar distortion, and overwhelming volume. The name "shoegaze" itself references how many guitarists would stare at their pedals while playing, seemingly in a trance by the footwear lurking beneath their low-slung guitars. Shoegaze was destined to become a descendant of neo-psychedelic groups, performed motionless and almost detached, fully immersing the listener in its layered sound creation.
The genre has its own canon, defined by My Bloody Valentine's 1991 release, "Loveless." This album is often seen as the defining release of shoegaze music—an icon within its nature. The most iconic and influential track, "When You Sleep," is a perfect guide to the basics of the genre, spotlighting its unique, lush sound. One standout feature of the album is the effect of reverse reverb, which feels like a multi-layered recording woven from a dozen instruments. The vocal style of My Bloody Valentine, as in all shoegaze rock, never bursts into screams, remaining delicate at every point, creating a hypnotic blend of elemental power. Smashing Pumpkins frontman Billy Corgan described the phenomenon of My Bloody Valentine's live sound as an experience where listeners initially find it amusing, then get frustrated by the barrage of inhuman loudness, and finally give in and start attentively listening to the details. This album is a "must-hear" for those who want to dive into shoegaze and indie/alternative music.
After learning the basics, explore other prominent shoegaze groups such as Lush, Slowdive, Pale Saints, and Swirlies. My personal favorite is Lush, specifically their album "Gala." Released in 1990, "Gala" offers a sweet flavor of dream-pop, bold and magnetic post-punk, and rebellious, steady alternative sounds. As famous writer and music explorer Graham Lineham noted, "It may seem a little rich, a little too sweet for one long swallow … but give it a moment to catch your breath, and it becomes clear that Lush's game plan involves far more." This album sounds like a deliciously catered after-tea, full of chocolate sponge cakes, profiteroles with custard, and caramel cream muffins—a sweet delight to be consumed all at once. The harmony in which all the tracks remain, though they may seem overcrowded alone, makes perfect sense and prolongs each other within the album. "Gala" offers a full-scale trip into a warm, gloomy land, changing with a dense and overwhelming forest landscape. The song "Sweetness and Light" feels like a gateway into the world of eternal sunshine, while "Leaves Me Cold" hits you with its directness and force, capturing and magnifying. "Gala" feels like exploration, discovery of sounds, noises, and daydreams.
Another upfront album to catch one's sight is Pale Saints' "The Comforts of Madness." This album is one of the most prominent pieces released by the band. Sugar-coated and a bit psychedelic, "The Comforts of Madness" is indeed a well-delivered shoegaze album, moving in unexpected yet brilliant directions. It's a vivid shot of an exciting journey where Pale Saints strive to experiment with the dream-pop pinnacle and create a balanced album full of so-called "confusion jazz" and illuminating bittersweet guitar sounds. My choice of the album is "You Tear the World in Two" - a song that sets a listener on an exciting journey, full of gloomy paces and chaotic but wickedly harmonious sounds. Just like the song goes, "I can tell that you feel these things too."
To wrap up, let's touch on a less famous, but equally bold and expressive album. Curve's "Doppelgänger," released in 1992, is the band's debut album known for its harsh, thick, and psychedelic melodies. In its end-of-year round-up issue, Q stated, "Doppelgänger delighted with its trashy guitar sounds, bone-rattling drum tattoos, and cool, poised vocal performances." Mainly described as an album swimming in guitars—garbaged, overcrowded, but magnifying. The author's choice is "Already Yours" - the very first song on the album. The vocals are seductive and bold, the rhythm is undeniably savage, and the song leaves a feeling of sweet devastation.