Meet Miya Turnbull

Miya Turnbull, Layers of Self Variation #17, 2022.

Meet Miya Turnbull, a multi-disciplinary visual artist whose innovative work delves into the intricacies of identity through the lens of her mixed Japanese and British/Scottish heritage.

Based in Halifax, Nova Scotia, Canada, Turnbull graduated with a Bachelor of Fine Arts from the University of Lethbridge (Alberta) in 2000. Her primary focus is on mask-making, a practice through which she explores the various facets of self-representation and cultural dialogue. In addition to masks, her artistic repertoire encompasses painting, photography, textiles, video, animation, projection, and, more recently, performance art.

Self-Portrait (Woven/Coming Undone), 2021, is a part of the Collection of the Nova Scotia Art Bank, purchased in 2021.

Turnbull's work has captivated audiences in galleries across Canada, the US, and Europe, and she is excited to present her work in Asia this summer. Her approach to art skillfully combines traditional techniques with contemporary mediums, enabling her to integrate personal narratives with broader cultural themes.

“Origami, Dolls and Collages”. Courtesy of Miya Turnbull.

Through blending traditional mask-making with modern mediums like photography and performance, you create art that speaks to both historical and contemporary narratives. How does this approach allow you to navigate the interplay between personal experiences and broader cultural dialogues, and what new insights or contemporary issues does this enable you to explore?

I hope to create art that juxtaposes symbolism and approaches with modern and personal contexts. I delve into themes of masking, authenticity, and the multiplicity of self within the lens of self-portraiture, so although I speak about “myself,” I hope it resonates collectively as well in that other people also see themselves in my work. This allows me to address contemporary issues such as identity fluidity, cultural hybridity, and the impact of societal expectations.

Your work employs a unique visual language to challenge and redefine traditional narratives around identity. As you craft these visual stories, what discoveries about self or society have emerged, and what do you hope they convey to your audience?

I have discovered that there are many complexities surrounding self-expression and perceptions. I hope that my work prompts viewers to explore the layers of their own identities and the masks they wear in different social contexts and to question preconceived notions regarding beauty and 'the norm'. Identity is fluid and shaped by personal experiences, cultural influences, and societal expectations. By highlighting the nuances of identity through my art, I aim to foster interest, understanding, and acceptance among viewers.

Considering the evolving landscape of societal values and issues, how do you perceive the artist's role in reflecting or shaping these discussions? Could you share how this perspective has influenced your approach or philosophy towards your art?

I perceive the artist's role as a catalyst for reflection and dialogue. Artists have the power to challenge norms, provoke thought, and inspire change through their creative expressions. This perspective has influenced my approach by encouraging me to create art that not only reflects societal values but also questions them and offers alternative perspectives. My philosophy towards art centers on the belief that art can serve as a mirror to society, prompting critical conversations and fostering empathy and inclusivity.

Looking ahead, are there specific themes or methods you are eager to explore within your artistic practice? How do these interests align with your vision for future projects, and in what ways do you envision engaging audiences, especially in a digital-prevalent culture?

I am most excited to further explore mask-making in combination with dance and movement. I have a few upcoming projects that are collaborations with dance artists and am learning more about how to embody my masks in performance and create compelling images live on stage. My next big project will combine my visual arts practice with Butoh Dance, which is a very haunting and strange form of dance/theatre which I am really drawn to. Emiko Agatsuma, a Butoh dancer based in Tokyo, will travel to Canada so we can collaborate, and we will showcase our work at the end of June on stage in Halifax and I am so excited to see what we create together! In a digital-prevalent culture, I am interested in using new technology and I love exploring new materials and techniques, but there's also something so appealing about making hand-crafted layered masks with photos, paper, and glue, and combining movement to create dynamic and immersive elusive experiences which will hopefully resonate and stay with the viewer for a long time.

Art has the power to contribute to cultural discourse and inspire personal reflection. Beyond traditional aspirations of impact, how do you hope your work will foster this discourse and reflection among viewers?

I hope to create interesting and mesmerizing experiences and images that engage and prompt connection and introspection. By inviting viewers to step into the liminal space between reality and artifice, I aim to challenge perceptions of identity and encourage them to embrace the complexities of self-expression. Ultimately, I hope my art serves as a catalyst for personal growth, empathy, and understanding in an increasingly diverse and interconnected world.

Miya Turnbull's artistic journey reflects a deep engagement with the exploration of identity and self-expression. Her work both challenges how we perceive ourselves and others and also encourages deeper personal reflection. As she prepares to expand her audience with her upcoming debut in Asia, Turnbull's art continues to inspire wider engagement with the nuances of identity through her masterful use of masks and other mediums, connecting her with audiences worldwide through her compelling exploration of cultural and personal landscapes.