Meet Baltasar aka Mr. Bubble
Meet Baltasar, affectionately called Mr. Bubble by those who've witnessed his vibrant street performances. His journey hasn't been an easy one; the road to recognition is often littered with hardship and scepticism. Yet, Baltasar's resilience shines as brightly as his music. He's not just an artist; he's an "Artivist," using his melodies and lyrics to spark change and challenge the status quo. With every note played on bustling street corners, Baltasar weaves a note of awareness and hope, turning the struggles of yesterday into the harmonious calls for a better tomorrow.
Courtesy of the artist
Tell me about your musical background and how you started playing music on the streets. How long have you been doing this?
From a young age, I was drawn to the visual arts. I vividly remember starting to explore drawing and painting during my secondary education, which was a pivotal time for me. It was there that I encountered an inspiring figure—an architect and art teacher who shared his passion for design and music. He introduced me to his collection of music on his iPod, which opened up a whole new world of jazz fusion artists like Brad Mehldau, Keith Jarrett, Jan Garbarek, and Béla Fleck. This exposure was transformative for me.
I completed my bachelor’s degree around 2016 and considered furthering my education with a master’s degree. During this time of introspection, I contemplated shifting my focus to music. My friends recognized a natural talent in me and encouraged me to pursue it more seriously. Although I played the piano merely for enjoyment and lacked formal training, their encouragement made me consider the possibility of integrating music more deeply into my life.
What impresses you to perform in public spots rather than conventional venues?
The song “Não me obriguem a vir para a rua gritar” by Zeca Afonso resonates deeply with me. Don't force me to come to the streets to scream. So, I'm forced to come to the streets to scream. Performing on the streets is more than a choice; it’s a necessity. It’s where I first connected with my audience, bridging the gap between artist and spectator. The streets of Portugal, with their dichotomy of underground events and grand stages, offered me a unique opportunity to engage directly with people from all walks of life. It’s a space where I can freely express my music without the constraints of industry expectations, allowing me to remain true to my artistic vision.
Encounters with the law over licensing have taught me the delicate dance of performing within the bounds of Portugal’s complex regulations. Despite these hurdles, I’ve adapted, opting for recycled equipment when necessary and continuing to share my music. I’m drawn to both the tranquillity of small, quiet spaces and the energy of bustling crowds, always seeking to break my routine and keep the experience fresh.
How do you choose your locations?
Selecting the perfect location for my performances is a blend of practicality and spontaneity. I often play close to home, in areas like Clara Clara or Graça, not only for convenience but also because these places resonate with my artistic spirit. However, I’ve played beyond local neighbourhoods too. I’ve embraced the role of an “international musician”, having played across Europe—from the north of Spain to Germany and southern France.
What’s your favourite instrument to play and which song do you prefer?
My main instrument, the keyboard, is the heart of my musical expression. While I have a repertoire of songs from my first album that fans recognize and request, improvisation is at the core of my street performances. The transient nature of the audience allows me to experiment and evolve my music in real-time. I describe my style as an “Electronic Live Act”—a dynamic and organic fusion that reflects the unpredictability of public spaces. My approach to music is like building a language with an alphabet of loops. Using a loop station, I craft layers of sound that form the foundation of my performances.
Could you share any of your memorable experiences while performing on the street?
One of my most cherished memories occurred during a performance, not on the streets, but at a concert. It was a magical moment when I noticed two individuals, drawn together by the music, sharing their first kiss. It’s moments like these that remind me why I do what I do—becoming a part of someone’s fond memory is incredibly fulfilling.
How do you handle a tough situation, like booing or a bad crowd?
Dealing with adversity, whether it’s inclement weather or critical feedback, is part of a street performer’s life. I approach these situations with ease. However, the real challenge for me has been navigating the cultural landscape of Lisbon. I recall an incident where a tourist aggressively demanded silence during my performance. Instead of confronting him directly, I turned to the audience with my microphone and asked if they wished to continue listening. The crowd’s overwhelming support not only affirmed my place but also turned the situation into a triumphant moment of solidarity and appreciation. If someone politely asks me to stop, I’m more than willing to oblige. But if approached with a colonialist mindset, I’m not going to tolerate that.
What’s your definition of Mr. Bubble?
The name ‘Mr. Bubble’ is a homage to the art category of Still Life, which in English refers to the depiction of inanimate subject matter, often symbolizing the ephemeral nature of life. This concept resonated with me, reflecting the transient beauty of bubbles—colourful yet transparent, delicate to the touch, and existing only for a fleeting moment. Mr. Bubble became a metaphor for my artistic expression, my freedom, encompassing performance and theatre—a total work of art. In essence, Mr. Bubble is an extension of my identity—a project that encapsulates my journey, my struggles, and my aspirations, all while providing a platform for genuine artistic exchange.
What is your greatest ambition?
My greatest ambition is to live freely through my art. Mr. Bubble is more than a street act; it’s a serious business that sustains me. I dream of performing on grand stages and at major festivals, collaborating with talented musicians, and delivering high-quality sound experiences. Ultimately, I want my art to contribute positively to the world, to make it a better place through the shows I perform. I’ve learned to adapt and find new ways to sustain my art, ensuring that Mr. Bubble remains a symbol of my commitment to creativity.
How do you support yourself with your street performances?
In a word - Mr. Bubble Project. It encapsulates all my endeavors. Whether it’s putting up posters, selling vegan balls, or organizing events, each job feeds into my overarching goal of artistic freedom. In fact, the lockdown taught me resilience and the importance of independence.
Your advice to fellow street musicians or wanna-be street performers?
To new musicians eager to perform on the streets, I say: bring your originality. The world has heard enough covers; it’s time for new, authentic sounds. Be true to yourself and your story. Don’t follow someone else’s path—find your own truth. If you ask me how to busk, I’ll share my experiences, but remember, what works for me may not work for you. Find your niche, whether it’s in parks or by windows, and let your unique voice be heard.
